WELCOME...
...to the personal blog of Kynan Pearson. You might know me from my work on the Metroid Prime Series, Donkey Kong Country Returns and Halo 4. This blog is here so I can share some of my design philosophies, dump some ideas and post some of my random art. These are all my views and do not represent those of my employer.
SubtractiveDesign@hotmail.com
https://twitter.com/KynanPearson
SubtractiveDesign@hotmail.com
https://twitter.com/KynanPearson
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Saturday, January 2, 2016
Been a While
Been a long time since my last update. I'll be changing the blog a bunch in the new year but for now here's an "art of December 2015" update.
Labels:
Art,
creatures,
illustrator,
iPad,
Kynan,
kynanpearson,
Pearson
Sunday, May 26, 2013
In Flight Sketches
I was recently taking a trip so I thought I'd bring a sketchpad and do a bit of art while I waited. It was a long flight so I ended up filling up quite a few pages. Here's a selection of pages from the trip.
It's a pretty wide assortment of subjects. A few creatures, aliens, characters and even some side scrolling level ideas. :) I think I ended up with a couple interesting concepts. There are a few ideas I will revisit later.
Friday, February 1, 2013
Platformer Mock Up
This was a mockup I did in about 2 hours. The tiles are all eyeballed sizes but they get the idea across. I like the ideas enough to maybe mess with them more later. I might try and color this or redo it using actual tiles.
Saturday, January 26, 2013
Sunday, January 20, 2013
Older Digital Creatures/Characters
Here are a few creatures/characters I did between 8-12ish years ago. I feel I've gotten alot better over the years but I still wanted to put these up before getting my new art posted.
Saturday, January 12, 2013
Creatures: Part 2
Here is another collection of creatures. I decided not to update the older post as it wouldn't sort as new. These are all from the same sketchpad.
Monday, January 7, 2013
Imaginary Worlds
It's fun to create little imaginary worlds that set up everything you need to know in a single image. Before getting started trying to think up new ideas for a game, cartoon or story try sketching up some random assortment of areas and characters. It doesn't matter if it's drawn well or not. Just finish something so you have somewhere to start then make up some stories and details about what you could do with it all. It's a fun little exercise that doesn't take much time and can inspire newer better things from there.
This is from about a year ago. I put together this idea with about 2 hours of sketching. It is made up of two separate images that I thought would be interesting to combine. I like some bits more than others but I think I can do something better using some of these ideas. :)
Sunday, January 6, 2013
Appeal
What do you find appealing in life? Not the things you want
or the people you like. What captures your eye and your attention when you look
at something? It’s funny how little most people think about that.
Being human you are genetically hard coded to look for
certain things. If you strip away all of the modern comforts you are accustomed
to and start to think of what you would be like in the wild, then you can start
to recognize how certain elements attract your attention. They draw your eye.
You know you need food to survive. You need shelter and
safety from the dangers of the world. You’ll most likely think about
reproduction or at least the comfort and support of connecting with others.
There’s way more that you are genetically predisposed to think about but I
don’t need to cover those. You can start to think about them on your own from
here.
This isn’t actually a full discussion about those topics on
a deeper level but they do relate to certain ideas about appeal. The next time
you look at something like an image, a movie or a game see if you can recognize
some of the elements I’m about to discuss. Also note that audio is just as
important as vision when recognizing the appeal of something. I’ll skew some
examples towards games since that’s probably why you’re here reading this.
When it comes time for you to create something new, be it an
image, animation or background for a game then consider the following.
Edible Looking
People find things that look edible captivating. If it looks
like you would want to eat it then it’s appealing. This is why the idea of
candy land is so attractive to children and adults. The levels in Mario Galaxy
and Mario games in general look edible so you are drawn to them. Grass often
curls over the edge like frosting on a cake. The levels often look like you can
eat them. This means you don’t mind spending time there.
This also works for cars and paint jobs. Shiny candy coated
paintjobs make cars and bikes look attractive. People watch clouds roll by.
They watch ocean waves swell and water flow and descend. They observe grass and
leaves blow in the wind. You need water
and plants to survive. These things comfort people. This leads into the appeal
of…
Ambient Motion
You are attracted to ambient motion (smoke, wind, flowing
cloth or water, fire, gears, pistons). Some of this is based on your survival
instinct and other parts are based on rhythms. People find these things
soothing but they are also instinctually looking at motion to recognize danger
as well. Is something moving over there? Is it going to attack me?
Your body is tied to rhythm and motion. Everyone’s heart
beats and they are all forced to breathe over and over and over. The earth
rotates and cycles occur over and over and over. People find repetition, rotation, rhythm, and
motion soothing.
Certain elements of lighting also create constant dynamic
motion even if there aren’t any objects moving. Reflectivity, Shine,
Specularity, God Rays and Lens flare all cause constant unique and dynamic
motion when the camera is moving. This is generally more appealing than
something dull and static.
Light and Darkness
We need the light to survive. It’s how we see and the sun
provides so much. People are attracted to light. People find things that shine
and glow appealing. You’re drawn to light sources by the very nature of how you
see the world. The eye is drawn from dark to light. If you are in a dark space
you will look towards the light. The contrast is that if you are somewhere that
is overwhelmingly bright then you will be attracted to shadow or darkness. This
goes back to survival instinct too. The mind thinks about escape routes and
hiding places. Can something attack me from that shadow? Is it a hole? Can I
hide there if something attacks me? This leads into the appeal of…
Edges and Borders
People find anything that assists in spacial awareness comforting.
You want to know where the edges are. This is pleasing to the eye because it
assists with people’s recognition of the extents of objects. Some of this is
based on (cue repetition) survival instincts. You want to know where things can
come from or where you can escape to. It’s also about preventing harm to your
body. You want to know what’s sharp or where something is so that you don’t
stub a toe scratch or cut your skin. You want shadow to creep into the recesses
of a crack to show you it’s there and something else might be hiding in there
too. The reasons don’t really matter. What matters is that humans find edges
and borders more appealing when they are more clearly readable.
Look at doors, windows, crown molding, furniture and
appliances. Attention is always spent framing something in a pleasing way. Look
at the white borders surrounding text in a book. It frames the edges. You know
it would look worse if the words ran right to the edge. Roads have curbs,
street lights have bases, and almost everything includes some type of element
that frames it or integrates it into the things they are attached to. Watches,
TV’s, cabinets and speakers have borders. Often things that don’t have
borders or frames have beveled or smoothed edges. This frames them by letting
light bounce differently on the edge. Rim lighting is appealing. The way rocks
or fences frame a garden/ yard matters. The way grass frames the base of a tree
brings comfort and understanding. Your mind recognizes it even if you don’t
think you care.
Things in nature do this automatically but man made things,
when crafted well, take this into account. Look at your favorite games. You’ll
start to see how they add frames and borders to the edges of objects and
geometry. Even great pixel art takes this into account. Things created taking
edges and borders into account most often look better than something that
doesn’t have this care or craft. Sometimes this happens in the lighting with
things like ambient occlusion. This helps integrate objects into the world
around it. People find this appealing so if you aren’t doing this with the
things you create then you are missing a very helpful tool. Create a blend
where a rock intersects the ground. Put some grass there or even cut in a
little crease to make it look like it’s eroded over time. It will look better.
Commonly Appealing
The rest of these could take just as long to describe but
they are easier for you to reason out why so I’ll skip the long winded
explanations.
·
Color
– Color is meant to capture your attention. Vibrant colors signify Fruits,
Flowers and Foods. They dazzle for mating rituals and they warn about Poisonous
Creatures.
·
Exaggerated
Scale – Really large things command your attention. Towers, Trees,
Mountains, Monuments and Mammoths all require your thought.
·
Sexual
and Phallic Imagery – No explanation necessary. We are genetically driven
to think about reproduction in order to continue as a species. Sex Sells.
·
Soft and
Fuzzy – Things that are fuzzy or soft looking are also appealing just
because you are looking for comfort to protect you from the dangers outside. You
are driven to find comfort to keep your body safe.
·
Cute and
Cuddly – Big eyes and certain pleasing features trigger the protective
parts of your brain so that you will be more inclined to raise your young and
prolong the survival of the entire species.
·
Familiarity
– This is why advertising works so well. You’re mind finds comfort in
things you understand and see often. This can be common things we all relate to
or even symbols.
·
Surprising
Moments – Think about things like explosions, fireworks, volcanic eruptions,
lighting and wild beasts springing out of nowhere to devour you. You’re mind
imprints things that surprise you so that you can remember them for future
protective measures. You cannot stop this and you get an adrenaline rush when
it happens. This feels good for most people even if you think you don’t like
it. It makes you feel alive. This is appealing.
·
Odds –
You’re mind tries to group things so when you see even numbers of things you
automatically understand they are a pair. If you see one then it is interesting
because it’s isolated and individual. If there are 3 elements then your mind
tries to work through what the connections are. Are these two together or are
these two? Which one is the odd one out? What are the relationships? This might
seem silly but your mind still does this even if it’s Rocks, Trees or buildings.
·
Symmetry –
If you have random shapes or elements that don’t seem to look to look right
then try adding some symmetry to it. Symmetry makes things look intentional and
purposeful. Nature creates symmetry in creatures. We create symmetry in our creations.
This makes them balanced and pleasing.
·
Meaning
and Symbolism – You mind tries to seek meaning so if you can provide it
then you don’t need to explain it. It’s more fun for people to think they
figured it out on their own.
I could actually go on and on but I think you get the point.
IN CONCLUSION
Next time you are looking at something you really like look
for the elements we discussed. If you are creating things then keep this in
mind. People are almost guaranteed to find certain things appealing so think
about added them to the things you create to make them more interesting and
dynamic.
·
Moving Things
– Clouds, Rivers, Waterfalls, Waves, Cloth, Wind, Grass, Leaves, Rain, Snow,
Gears, Pistons, Fire, Smoke, Sparks and Living Creatures.
·
Lights
and Shadow – Contrast, Light Rays, Lens flare, God Rays, Glows, Neon, Fireworks
and Sparkles
·
Edges –
Beveled Edges, Erosion, Borders, Blends, Frames, Integrators, Ambient
Occlusion, Rim Lights, Overgrowth, Intentional Seams, Outlines, Spacing and Separators.
·
Edible
Qualities – Smooth, Colorful, Candy Coated, Chocolately and Clean.
·
Shine –
Reflection, Gloss, Specularity, Wetness and Icy.
·
Surprise –
Fireworks, Lighting, Explosion, Eruptions or Shocking Elements.
·
Comfort –
Repetition, Symbols, Logos, Familiar Relatable Elements
·
Landmarks
– Large Isolated Elements (Towers, Mountains, Bridges, Trees, Creatures, Castles,
Bridges) Odd Clusters (3, 5 or 7 of the same components)
I hope you find some of this useful. At least it’s a nice
refresher for some things you could consider common sense. I still need to edit
this but I wanted to get it out earlier. Thanks for reading.
Saturday, January 5, 2013
Creatures!
I've always had interest in drawing creatures, monsters, aliens and other random lifeforms. Here are a few from one of my sketchpads. I'm going to figure out a way to use them for something eventually. Here's the first set and I'll just keep updating this post as I scan the others.
Here's also a couple of characters I did 11-ish years ago while back at Iguana and Retro. I know it's old but I like some of the ideas and might revisit a few. I'll keep them down here as a reminder. :)
Here's also a couple of characters I did 11-ish years ago while back at Iguana and Retro. I know it's old but I like some of the ideas and might revisit a few. I'll keep them down here as a reminder. :)
Sunday, December 30, 2012
The Ocean Above
I've been kinda interested in aquatic themes and characters recently.
The Ocean Above is a story I've been messing around with about two great bodies of water. One is a vast and beautiful ocean which fills the sky as far as the eye can see. It floats above the dark and murkey waters below, suspended by a force called the great divide.
The main character Finlo falls from his perfect life in the ocean above, landing in the contaminated depths below. He tries to find his way back but things turn out far more difficult than he could ever imagine.
The Ocean Above is a story I've been messing around with about two great bodies of water. One is a vast and beautiful ocean which fills the sky as far as the eye can see. It floats above the dark and murkey waters below, suspended by a force called the great divide.
The main character Finlo falls from his perfect life in the ocean above, landing in the contaminated depths below. He tries to find his way back but things turn out far more difficult than he could ever imagine.
Saturday, December 22, 2012
Gurgin'
Seeing how the world didn't end and all I thought I'd post up an old sketch showing how the cycle still continues. You gotta keep on Gurgin'!
Thursday, December 20, 2012
Art Drop
Here's a large assortment of art out of my sketchpad. I finally got around to scanning it all. It's just a bunch of different ideas. I'll hopefully paint some of this stuff up in the near future. This is all about a year and half to two years old at this point. I have some plans for a few of these characters.
Wednesday, December 19, 2012
Vexx: Making Of - Part 1
A long time ago in a company long since destroyed there existed a game which would eventually become known as Vexx. At one point in development it was known as Clip and Mischief and then it became Jinx. While digging around on one of my older laptops I came across some of my early concept and level design work. I thought I'd share some of it since as far as I'm aware most of this hasn't been seen before.
Here are a few enemy creature concepts I did in early 2000.
This is a concept I did for what Vexx might look like in the sequel which never went into production. Remember all of this art is from 2000 though this one might have been 01 or 02. I wanted to give Vexx summon-able spirit creatures that would function kind of like the stands in Jojo's Bizarre Adventure. I know the summon creature here looks stupid but hey it's not like I would spend the time to redo it now. R.I.P. Vexx.
This last one is from one of my levels called Dragon Reach. This was early in progress geo I put together to figure out the pathing to objectives. Gregg Hargrove did a concept over the top so we had a visual target.
Here are a few enemy creature concepts I did in early 2000.
Here is the first World concept I did for the game which was used for internal demonstrations as well as for the reveal to game journalists. I did close ups for all of the different sections of the game but this is the only one I've found so far. Gregg Hargrove did the colors. I think Jools Watsham might have painted one of the islands as well.
Here are a few concepts for the character when he was still called Clip or Jinx. I did the line work and painting on the non human characters and Gregg Hargrove did the coloring on the one with the Vivi-ish hat and boots. :PThis is a concept I did for what Vexx might look like in the sequel which never went into production. Remember all of this art is from 2000 though this one might have been 01 or 02. I wanted to give Vexx summon-able spirit creatures that would function kind of like the stands in Jojo's Bizarre Adventure. I know the summon creature here looks stupid but hey it's not like I would spend the time to redo it now. R.I.P. Vexx.
This last one is from one of my levels called Dragon Reach. This was early in progress geo I put together to figure out the pathing to objectives. Gregg Hargrove did a concept over the top so we had a visual target.
I had built just under 1/3 of all of the designer level geo in the shipping game but the game was originally supposed to have twice as many levels. All of them were built but near half were cut to make sure we could finish and polish the ones that made the cut. It feels a little weird showing such old work but it is fun to look back. Vexx isn't all that well known but I had fun working on the game and met a ton of amazing people along the way.
I'll post up some more designer block in geo from in production levels in a 2nd part eventually. I'll make sure Part 2 is more design focussed.
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